Artist: Paul Roustan
Model: Sawyer
Via Roustan
This blog appreciates all forms of art. Content on this blog may not be suitable for all readers. Most entries are for 18+ audience and some post are NSFW.
There may be a video sex tape in my possession of me and my ex. I just don't remember.
Were we daring back then? I know I had video cameras. I recorded a lot of her and us, but don't recall if I captured us having sex.
Of course, the secret is somewhat safe, in that videotape players, let alone 8mm ones, are quite rare.
Focusing solely on the positive side of a situation can overlook critical challenges and obstacles that need to be addressed, leading to potential blind spots in decision-making. Additionally, ignoring negative aspects can hinder growth and improvement. Rather, embrace a balanced perspective that considers both positive and negative aspects, which will result in a more comprehensive problem-solving approach.
Acting Appreciation
Anna De Ville captivates me with her quirky personality and charm, qualities that I found utterly charming after listening to her interview on Matt Slayer's podcast, And Now We Drink.
Born on April 24, 1997, in Portland, Oregon, Anna De Ville's journey began at an arts academy for middle and high school. A former gymnast in her youth, she left school during her sophomore year but didn't let that derail her path. Instead, she obtained her G.E.D. and entered the workforce at just 14 years old, starting her professional journey at Hot Topic.
Standing at 5'2" with captivating auburn hair and hazel eyes, the vixen entered into the adult entertainment industry at the age of 18, spending a transformative summer in Europe. It wasn't long before she made waves in European adult entertainment, swiftly rising to prominence and captivating audiences with her undeniable talent.
Sources:
https://www.babepedia.com/babe/Anna_De_Ville
https://www.boobpedia.com/boobs/Anna_de_Ville
https://www.adultempire.com/671816/anna-de-ville-pornstars.html
https://avn.com/porn-stars/avn-anna-de-ville-634451.html
https://www.freeones.com/anna-de-ville
https://www.indexxx.com/m/anna-de-ville
https://interviews.adultdvdtalk.com/anna-de-ville-extreme-sex/
Music Appreciation
One notable instance of a music video surpassing the popularity of its accompanying song is Fatboy Slim's "Weapon of Choice." Released on April 23, 2001, the song is part of Fatboy Slim's third studio album, "Halfway Between the Gutter and the Stars," featuring vocals by Bootsy Collins of Parliament-Funkadelic.
Directed by Spike Jonze, the music video was filmed in the lobby of the Marriott Hotel (now the L.A. Grand Hotel Downtown) in Los Angeles and starred Academy Award-winning actor Christopher Walken, and also known for his dance skills. In my view, this music video stands out for its exceptional direction, choreography, and editing.
The video begins with Walken sitting pensively on a lobby chair, captivated by a portable AM/FM radio on a nearby cleaning cart. After a brief moment of contemplation, Walken succumbs to the music, breaking into a dance that takes him around the lobby, up an escalator, onto a table, in front of mirrors, and even airborne. As the song concludes, he returns to the chair.
This sequence showcases the impeccable direction, choreography, and editing that make it one of the best-executed music videos.
Choreography: Levenson Anastasia
Dancers: LVNSN CREW
Filmmaker: Liam Almeida
via Anastasia Levenson | LVNSN
Creative Director: Jonathan Anderson
via LOEWE
Art Appreciation
Pavel Acevedo, originally from Oaxaca, Mexico, initiated his art studies at the Rufino Tamayo Plastic Arts Workshop in Oaxaca City. He later pursued a Bachelor's Degree in visual arts at the Fine Arts School of Oaxaca, studying under notable artists like Shinzaburo Takeda and Raul Herrera. Acevedo further expanded his education through workshops with artists such as Isis Rodriguez and Marietta Bernstorff. As an assistant in print studios for artists Demian Flores and Alejandro Santiago, he gained valuable experience.
In 2010, Acevedo moved to Riverside, California, engaging in printmaking projects with a focus on social justice and educational awareness in communities of color. Much of Acevedo's art explores migration, immigration, borders, and the dualities faced by immigrants in a new nation.
Sources:
https://www.oaxacaprintmaker.com
https://www.instagram.com/pavel_acevedo/
https://www.speedballart.com/pro-artist-network/pavel-acevedo/
https://www.warnockfinearts.com/pavel-acevedo-prints-and-biography
https://pavelacevedo.wordpress.com
https://www.selfhelpgraphics.com/prints-2010-2020/pavel-acevedo-utopia-and-dystopia-2019
https://artsandculture.google.com/story/the-shell-in-the-clouds-by-pavel-acevedo-self-help-graphics-art/dQUh0tQCutrNhg?hl=en
https://riversideartmuseum.org/exhibits/2012-members-exhibition-award-winners-feature-pavel-acevedo/
https://www.instagram.com/reel/C51keKpy4Oy/?utm_source=ig_embed&utm_campaign=loading
Art Appreciation
Frans van Mieris the Elder, born on April 16, 1635, in Leiden, Dutch Republic, distinguished himself as a renowned painter of the Dutch Golden Age, celebrated for his remarkable ability to depict textures and fabrics with precision and skill. His passion for drawing emerged early in his life, leading him to study under prominent artists such as Abraham Toorenvliet, Gerard Dou, and Abraham van den Tempel. Under their tutelage, Frans honed his craft and eventually mastered the "fijnschilder" style, characterized by its meticulous brushwork and exacting execution.
Through his art, Frans van Mieris captured the opulence and prosperity of the Dutch Golden Age, offering glimpses into the lavish interiors and affluent lifestyles of the era's elite. His paintings serve as vivid reflections of the wealth and sophistication of the period, resonating with viewers through their technical brilliance and emotive depth. Today, Frans' works endure as timeless masterpieces, revered for their ability to evoke both admiration and introspection, ensuring his enduring legacy in the annals of art history.
Sources:
Wikipedia
https://www.pubhist.com/w40626
https://www.britannica.com/biography/Frans-van-Mieris-the-Elder
Choreographer: Ljuba Castot
Directed by: Kiesza, Lkuba Castot, and Rami Samir Afuni
Dancers: Leandro Alegria Silva, Janete Aide Silva, Valerie MsVee Ho, Marie Gumdrop Paldrup, Martina Android Heimann, Ebone Simone Johnson, LaShonna Holloway, Pierce Buttons Cady Penny
via lokallegend
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via MomentoTempus
Music Appreciation
Released April 11, 2000, Oops!... I Did It Again is one of Britney Spears most iconic songs and music videos.
Written and produced by Max Martin and Rami Yacoub, the upbeat and infectious pop hit tells a story of a girl who has broken a boy's heart yet again, "Oops!... I did it again, I played with your heart, got lost in the game."
The space-themed music video, which was directed by British music video and film director Nigel Dick, features Britney Spears dressed in a red latex bodysuit showcasing her impressive dance skills.
Source:
Wikipedia
Art Appreciation
Since my youth, I eagerly awaited the arrival of National Geographic and Smithsonian Magazine. I remember flipping through their pages, captivated by the photography and art within. Recently, my parents surprised me by renewing my subscription to Smithsonian.
As I leafed through the magazine, I stumbled upon an article by Lonnie G. Bunch III, Secretary of the Smithsonian Institution. He discussed a new exhibition uniting the works of Robert S. Duncanson and James P. Ball, two esteemed Black artists from the 19th century. In their prime, these artists, based in Cincinnati, gained international acclaim for their talent. The exhibition, held from September 15, 2023, to March 24, 2024, sheds light on the vibrant artistic community of that era, set against the symbolic backdrop of the Ohio River, representing the divide between slavery and freedom.
Duncanson's three chosen paintings portray scenes of refuge, subtly weaving abolitionist messages into seemingly serene landscapes, catering to his predominantly white audience while advocating for African American liberation.
James P. Ball, a trailblazer in daguerreotype photography, shares the spotlight with Duncanson in this exhibition. He showcases portraits of unnamed white subjects, possibly hand-colored by Duncanson himself. Ball's contribution to early photography, alongside figures like Glenalvin Goodridge and Augustus Washington, is further explored in an upcoming permanent collection installation, highlighting the democratization of portraiture through photography. As a curator dedicated to preserving Black artistic heritage, the inclusion of Ball's works underscores the pivotal role Black artists played in the struggle for equality, utilizing both the camera and the brush as instruments of empowerment during a transformative era in American history.
This exhibition encourages visitors to reflect on the nuances of Black creativity in the 19th century and its lasting impact on the quest for justice and acknowledgment.
Source:
https://www.smithsonianmag.com/blogs/office-of-the-secretary-of-the-smithsonian/2024/01/05/robert-duncanson-james-ball-height-black-artistry-19th-century-america/
https://americanart.si.edu/exhibitions/ball-duncanson
Modeling Appreciation
During the aughts, the decade 2000 to 2009, online adult picture sites where proliferate. FTV (First Time Videos) was one site that featured beautiful images and videos of first time models. One model that caught many of us men's attention was Alison Angel, a beautiful 5'8" blonde, with green eyes, an hourglass figure, and large areolas 36D natural breasts teen.
Born on April 7, 1986 in Athens, Tennessee, Christie Caudill, aka Alison Angel, began modeling on FTV when she turned 18. Alison Angel's popularity lead her to get her own website, AlisonAngel.com, in 2005, which featured softcore solo and lesbian scenes.
Her modeling career lasted until 2008, when Alison Angel retired from modeling to attend college and pursue a career in nursing. She now enjoys motherhood, while also being a social media influencer.
What attracted me was how Alison Angel added a fun personality and glamour to her photos. She epitomized the ideal of female beauty.
https://www.babepedia.com/babe/Alison_Angel
https://www.boobpedia.com/boobs/Alison_Angel
https://www.indexxx.com/m/alison-angel
https://babesdirectory.online/profile/alison-angel
https://twitter.com/AngelbunnyAA
https://www.instagram.com/christiefightingspirit/
http://www.nextdoormania.com/alison-angel-pink.php
https://www.yourdirtymind.com/galleries/alison-angel-makes-this-college-campus-sexy/
https://www.yourdirtymind.com/galleries/alison-angel-flashes-her-tits-on-her-road-trip/
http://www.nextdoormania.com/alison-angel-nighty.php
https://www.bigboobsalert.com/alison-angel-nurse.php
https://linktr.ee/christiefightingspirit
Album Cover
Album: David Bowie - Black Tie White Noise
Released: April 5, 1993
Photography: Nick Knight
Art Direction: Toni Wadler
Model: David Bowie
Art Appreciation
Born in Attleborough (now Langhorne), Pennsylvania, on April 4, 1780, Edward Hicks was a prominent figure in American folk art, known for his iconic depictions of peaceable kingdom scenes.
Hicks' early life was marked by adversity and hardship. Orphaned at a young age, he was raised by Matron Elizabeth Twining -- a close friend of his mother -- in Newtown, Pennsylvania.
At the age of 13, Hicks was apprenticed to a coachmaker, where he learned the trade of painting decorative designs on coaches and carriages.
In the early 19th century, Hicks experienced a profound religious awakening that would profoundly influence his artistic vision. Inspired by the teachings of Quakerism, he began to paint scenes from the Bible, particularly those depicting the peaceable kingdom described in the Book of Isaiah.
One of Hicks' most famous works, "The Peaceable Kingdom," captures the essence of his artistic philosophy. The painting portrays a scene of harmony and tranquility, with wild and domestic animals coexisting peacefully alongside humans. It serves as a powerful allegory for the Quaker belief in the possibility of achieving peace on earth.
Despite Hicks' success as a painter, he struggled financially throughout much of his life. He supplemented his income by working as a sign painter and a preacher, often traveling throughout Pennsylvania to spread the Quaker message of peace and tolerance.
In addition to his peaceable kingdom paintings, Hicks also produced a series of landscapes and portraits, showcasing his versatility as an artist. His landscapes, in particular, are celebrated for their serene beauty and meticulous attention to detail.
Source:
Wikipedia
https://www.nga.gov/collection/artist-info.1396.html
Art Appreciation
Max Ernst, born on April 2, 1891, in Brühl, Germany, emerged as a pivotal figure in the 20th-century Dada and Surrealist movements, leaving an indelible mark on the art world.
Enrolling at the University of Bonn in 1909, Ernst immersed himself in a diverse array of studies, including philosophy, art history, literature, psychology, and psychiatry. His fascination with the artwork of mentally ill patients, observed during visits to asylums, sparked his initial foray into portraiture, capturing his sister and himself on paper.
The pivotal moment came in 1912 when Ernst attended the Sonderbund exhibition in Cologne, encountering the works of artistic luminaries such as Pablo Picasso, Vincent van Gogh, and Paul Gauguin. Subsequently, his own pieces found a platform at Galerie Feldman in Cologne. Later, he drew inspiration from Giorgio de Chirico's paintings, leading him to embrace the technique known as Fiat modes.
Ernst's artistic odyssey took unconventional turns, notably his encounter with French surrealist poet Paul Éluard, forging a lifelong friendship. Settling into a ménage à trois with Éluard and his wife, Elena Ivanovna Diakonova (later known as Gala DalÃ), in the Paris suburb of Saint-Brice, Ernst embarked on a journey that challenged societal norms.
Across varied mediums such as painting, sculpture, collage, and printmaking, Ernst defied conventions, exploring the fringes of artistic expression. Among his signature techniques was "frottage," where he applied pencil or crayon to textured surfaces, yielding intriguing and unpredictable patterns that mirrored the depths of the subconscious.
Thematically, Ernst's work plumbed the realms of dreams, mythology, and the human psyche. His canvases teemed with surreal landscapes inhabited by cryptic beings, blurring the boundaries between reality and fantasy.
Sources:
Wikipedia
https://www.artnews.com/feature/why-cling-art-apocalyptic-times-max-ernst-1202688847/
https://www.menil.org/collection/objects/3782-marlene
https://www.nytimes.com/1976/04/02/archives/max-ernst-catalytic-figure-in-20th-century-art-dies-max-ernst.html
https://assets.moma.org/documents/moma_catalogue_248_300331282.pdf