ART AFICIONADO

Sunday, March 8, 2026

Dance: LTJ Xperience (featuring Anduze) - Bad Side

Choreography: Christin Olsen

Dancers: Olivia Kungsman, Lisa Högström, Alexandra Gennvi, Julia Blomerus, Rebecca Wolf, Marthe Dragsund

via Christin Olesen

Saturday, March 7, 2026

Cosplay is an Art: Fan Expo Vancouver 2026

via Justin Cosplay

Friday, March 6, 2026

Fashion is DEFINITELY Art: Dior Autumn Winter 2026-2027 Show

Creative Director: Jonathan Anderson

via Christian Dior

MODELING: Audrey Benoit

Modeling Appreciation

Model: Audrey Benoit

Filmed and Directed by Carlo Armendariz

via Carlo Armendariz Studios

Thursday, March 5, 2026

Letizia Battaglia

Photography Appreciation

Letizia Battaglia was born on March 5, 1935, in Palermo, Italy. Raised in a conservative Sicilian family, she experienced a restrictive upbringing that shaped her later worldview and resolve.

Letizia did not follow a traditional artistic path early on; instead, she married young and lived abroad before returning to Palermo in the early 1970s. Largely self-taught, she began studying photography while working as a journalist, using the camera as a direct extension of reporting rather than as a purely aesthetic tool.

Her career took shape at the Palermo newspaper L’Ora, where she documented the brutal realities of the Sicilian Mafia during the height of its power. Her photographs—often stark black-and-white images—captured crime scenes, funerals, grieving families, and the daily life surrounding violence.

Technically, her work favored available light, tight framing, and an unembellished style that rejected spectacle. The camera remained close to the subject, reinforcing immediacy and moral urgency rather than distance or polish.

Her work has also sparked controversy. Letizia faced criticism for repeatedly photographing murdered bodies, especially women and children, raising ethical questions about trauma, consent, and exploitation. Others argued that her images risked aestheticizing violence. She consistently rejected these critiques, stating that bearing witness was a civic duty in a society silenced by fear.