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Thursday, September 10, 2026

Cruise Perk: Afternoon Delights

Soon after our Christmas family cruise, my wife booked two more cruises—this time without the kids—an idea I fully supported. It’s not that I don’t enjoy spending time with my daughter or my wife’s family, but cruises are at their best when they’re stress-free, unhurried, and give two people a chance to reconnect. Sometimes the best itinerary is simply each other.

The first of our cruises departed Galveston on the Fourth of July aboard Royal Caribbean’s beautiful Symphony of the Seas. While it’s smaller than the massive Icon of the Seas, which we sailed with our family, it offered many of the same amenities, plenty of dining options, and outstanding entertainment. In many ways, it was the perfect setting for slowing down and enjoying each other’s company.

One of the things we love most about cruising is that you unpack once and your hotel magically follows you from port to port. My personal favorite perk? Being able to sneak back to our cabin for a little afternoon delight whenever the mood struck. By the end of the eight-day cruise, my wife pointed out that we had set a personal record: having sex ten times in eight days. Not exactly an Olympic event, but we were pretty proud of our accomplishment.

It’s a fun vacation record to look back on—especially considering it’s now been about a month since our last rendezvous. I’m sure we’ll remedy that long before our New Year’s cruise in December, but I have a feeling that the eight-day record may stand for quite a while. Then again, every cruise deserves a goal.


Tuesday, September 8, 2026

Anna of the North - Lovers (from To All the Boys I've Loved Before)

Music Appreciation

“Lovers” was released on September 8, 2017, as part of Lovers, the debut studio album from Norwegian singer-songwriter Anna Lotterud, known professionally as Anna of the North. Born in Gjøvik, Norway, and later splitting time between Oslo and Melbourne, she developed a sound rooted in dreamy synth-pop and emotional minimalism. 

Prior to the album, she built momentum with singles like “Sway” and collaborations that circulated widely on streaming platforms. Lovers marked her formal arrival, pairing glossy electronic production with restrained vocals that became her signature.

Lyrically, “Lovers” explores the fragile space between intimacy and uncertainty. The narrator longs for clarity in a relationship that feels undefined—hovering between friendship and romance. Lines that question commitment and emotional reciprocity reflect a modern dating landscape where labels are blurred. 

Musically, the track leans on soft, pulsing synths, a steady electronic beat, and airy vocal layering. The production is sparse yet textured, allowing her voice to carry both vulnerability and quiet resolve. The melody is restrained, almost hypnotic, reinforcing the emotional tension at the core of the song.

The music video, directed by Alexander Darby, complements the song’s introspective tone. As noted by Indie Music Filter, the visual unfolds in intimate, subdued settings, focusing on Anna in contemplative moments rather than a linear narrative. The camera lingers in close-ups and muted lighting, emphasizing solitude and emotional distance. Rather than dramatizing conflict, the video mirrors the song’s restraint—suggesting that uncertainty in love often plays out internally, in quiet rooms and private thoughts.


Sources:

https://indiemusicfilter.com/anna-of-the-north-lovers-video

https://www.allmusic.com/artist/anna-of-the-north-mn0003565886

https://www.billboard.com/artist/anna-of-the-north/

https://www.discogs.com/master/1269340-Anna-Of-The-North-Lovers

https://genius.com/Anna-of-the-north-lovers-lyrics 

Sunday, September 6, 2026

SPINNERS: kitsch & SASH - Deep & Groovy Pool Party

via kitsch & SASH 

Julius LeBlanc Stewart

Art Appreciation

Julius LeBlanc Stewart was born on September 6, 1855, in Philadelphia into a wealthy family that supported his artistic ambitions. His father, a successful sugar magnate, ensured Stewart had access to elite education and travel. 

Stewart studied at the Pennsylvania Academy of the Fine Arts before relocating to Paris, where he trained under Jean-Léon Gérôme at the École des Beaux-Arts. This academic grounding shaped his technical precision and compositional discipline, while his exposure to European high society informed the subject matter that would define much of his career.

Stewart built his reputation in Paris during the late 19th century, becoming closely associated with the Paris Salon, where he exhibited regularly and gained recognition. His work often captured the elegance and excess of Belle Époque society—lavish interiors, fashionable gatherings, and aristocratic leisure. 

One of his most recognized paintings, The Hunt Ball (1885), reflects his ability to choreograph complex social scenes with clarity and rhythm. Stylistically, his work blends academic realism with elements of Impressionism, particularly in his handling of light and color, though he maintained a more polished finish than many of his contemporaries.

Technically, Stewart excelled in rendering fabrics, textures, and the subtleties of social interaction. His compositions often feature carefully arranged figures that guide the viewer’s eye across the canvas, creating a narrative without overt drama.

Self-portrait, 1886

A Hunt Ball, 1885

Gypsy Girl, 1875

Portrait of Mrs. Francis Stanton Blake, 1908

Nymphs Hunting, 1898


Sources:

Wikipedia

https://www.artnet.com/artists/julius-leblanc-stewart/

https://artvee.com/dl/the-first-spring/