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Wednesday, May 24, 2023

Harold Budd

Music Appreciation

Born on May 24, 1936 in Los Angeles, California, Harold Budd was an American composer and poet, recognized for creating ambient soundscapes.

Budd developed a fascination with music at a young age. Growing up in a touch neighborhood, he found refuge playing in bars and jazz clubs in South Central Los Angeles. He even joined the regimental band where he played drums at Presidio of Monterey (POM), when drafted into the army.

He later enrolled in an architecture course at Los Angeles City College, then switched to a course in harmony and renaissance counterpoint. This path would lead him to a career as a composer. 

Budd studied music at California State University, Northridge. He graduated from CSUN, and then went on full scholarship to the University of Southern California. After completing his education, Budd began his career as a composer, working in a variety of genres including jazz, rock, and experimental music. 

Budd's breakthrough came in 1978 with the release of his first solo album, "The Pavilion of Dreams." The album was a collaboration with the British ambient musician Brian Eno and showcased Budd's unique approach to ambient music. The album was widely acclaimed and set the stage for Budd's subsequent career.

Over the next few decades, Budd continued to release a string of critically acclaimed albums, including "The Plateaux of Mirror," "The Pearl," and "Lovely Thunder." His music was often characterized by its dreamlike quality, with ethereal textures and subtle melodies creating a sense of otherworldliness.

In addition to his work as a composer, Budd was also a prolific poet, publishing several collections of poetry over the course of his career. His poetry was often as minimalist as his music, with sparse, evocative language creating vivid imagery.

Budd passed away after suffering a stroke and from complications of COVID-19 on December 8, 2020.







Sources:

Wikipedia

Tuesday, May 23, 2023

Cyber Dating in the 90s

The 90's were a transformative decade for internet and technology. As more of us plugged our modem, new opportunities for communication and connection to individuals from across the world became possible. One of the most notable developments of my time was cyber dating. 

Imagine typing and typing and typing just to woo a potential mate you had zero chance of meeting. Sending pictures was a task. First you had to take a photo. Take the 35mm film to get processed and printed, which would take a few days. Then scan the photo onto the computer. You were lucky if you had a scanner because those things cost a lot. Then you had to hope you had enough memory bites left on your AOL or Prodigy account to send the file by electronic email. 

Yes. Cyber dating was a bitch.


Keith Robinson (PLAYBOY), November 1994

Sunday, May 21, 2023

Dance: Dylan Conrique - Birthday Cake

Choreographer: Brooke Marron 

Dancers: Brooke Marron, Lizzy Russ, Jasmine Mason, Kyleen Likas, and Smac McCreanor


via Dylan Conrique

Thursday, May 18, 2023

Gertrude Käsebier

Photography Appreciation

Born on May 18, 1852 in Fort Des Moines (now Des Moines, Iowa), Gertrude Käsebier was an American photographer known for portraits of Native Americans, and images of motherhood. She is considered a pioneer as an influential photographer who redefined the possibilities of portraiture and help shape the direction of modern photography. 

From a young age, Gertrude had a fascination towards pictures. As written by Lori Oden for International Photography Hall of Fame and Museum, she mentioned how her mother wished Gertrude would take up piano but saw no avail, "she would often see Gertrude on one knee on the floor viewing the painting through her small hands, telescope-like, talking to herself meanwhile, asking herself if it would ever be possible for her to make such a picture... Gertrude would even attempt to draw with water that had been spilled on the floor."

It wasn't until 1874 when she met Eduard Käsebier, an importer from an aristocratic German family, when she was able to pursue her career in the arts. Originally, she wanted to be a portrait painter and enrolled in the Pratt Institute from 1889 to 1893. By 1894, Käsebier was heavily involved with photography in addition to her painting and drawing.

Beverly W. Brannan, a curator described that Gertrude wanted to be associated with fine art and the upper class, but enjoyed the relatively déclassé technical art of photography. She points out that Gertrude wanted to make a living, something that received criticism, especially from fine arts photographer Alfred Stieglitz for "sacrificing art to commerce." 

From about 1898 until 1912, Gertrude, like Stieglitz, embraced the principals of the Pictorialist movement, which aimed to elevate photography to the level of fine art. Although Stieglitz praised Gertrude for her portrait photography, he made it clear to "draw a distinct line between artistic pictures and every other form of photography.

As a female photographer in a predominantly male-dominated field, Gertrude faced numerous challenges and obstacles throughout her career. However, she never allowed societal expectations to limit her creative expression. Her legacy as an artist and educator lives on through the profound influence she had on those she taught and inspired.


Chief Iron Tall, 1898

The Picture Book, 1899

Miss N (Portrait of Evelyn Nesbit), 1903


Sources:

Wikipedia

https://iphf.org/inductees/gertrude-kasebier/

https://www.museoreinasofia.es/en/collection/artwork/picture-book

https://www.loc.gov/rr/print/coll/womphotoj/kasebieressay.html