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Tuesday, May 27, 2025

Jessie Arms Botke

Art Appreciation

Born on May 27, 1883, in Chicago, Illinois, Jessie Hazel Arms Botke demonstrated an early affinity for art. She attended Lincoln Public School and Lakeview High School before enrolling at the School of the Art Institute of Chicago in 1902. 

During her studies, she was influenced by artists John C. Johansen and Charles Woodbury, attending Woodbury's summer school in Ogunquit, Maine. In 1909, Botke embarked on a European tour, exposing her to various art forms and styles that would later influence her work.

Botke's professional journey led her to New York City in 1911, where she joined Herter Looms, a prominent interior design firm. While there, she specialized in tapestry cartoons and decorative wall panels, notably contributing to a peacock frieze for the dining room of actress Billie Burke's residence.  

She also assisted in creating murals for notable establishments, including the St. Francis Hotel in San Francisco. It was during this period that she developed a fascination with avian subjects, particularly white peacocks, geese, and cockatoos. In 1915, she married fellow artist Cornelis Botke, and the couple relocated to Carmel, California, in 1919, becoming integral members of its vibrant art community.

Botke's artistic style is characterized by detailed and decorative depictions of exotic birds and flora, often incorporating gold and silver leaf backgrounds—a technique inspired by Japanese screens. Her compositions frequently featured white peacocks, cockatoos, and other exotic birds set amidst lush vegetation. 

Notable works include "White Peacock and Hollyhocks" and "Black Peacock and Magnolia." Her work has been exhibited in institutions such as the Art Institute of Chicago and the Santa Paula Art Museum. ​

White Peacock and Hollyhocks

Black Peacock and Magnolia

White Peacock with Spread Tail

Flamingos

Hopi Home Life

Sources:

Wikipedia

https://www.kargesfineart.com/jessie-arms-botke

https://masterful-artists.com/jessie-arms-botke-painter-gold-leaf/

https://www.annexgalleries.com/artists/biography/244/Botke/Jessie

https://www.santapaulaartmuseum.org/jessie-arms-botke-auction-2024-3

https://www.artfixdaily.com/blogs/post/3740-the-exotic-world-of-jessie-arms-botke

https://cranbrookkitchensink.com/2019/01/11/the-peacock-in-the-hallway/

https://onlineonly.christies.com/s/american-atmosphere-important-private-collection/jessie-arms-botke-1883-1971-22/232327

https://www.medicinemangallery.com/blogs/biographies/jesse-arms-botke-1883-1971-biography

https://www.artic.edu/artworks/74509/geese-and-hollyhocks

https://static1.squarespace.com/static/57ad0e28d482e96d0a7c8ef1/t/5852fbd9d482e947810cb7e3/1481833435411/Jessie+Arms+Botke+Biography.pdf

https://www.americanfinearts.com/pages/jessie-botke-biography

https://www.wikiart.org/en/jessie-arms-botke/white-peacock-and-hollyhocks

https://www.incollect.com/listings/fine-art/paintings/jessie-arms-botke-black-peacock-and-magnolia-719771

Sunday, May 25, 2025

Thursday, May 22, 2025

Vök - Waterfall

Music Appreciation

I first discovered the Icelandic dream pop and indietronica band Vök during the height of the COVID pandemic. Their sound—an atmospheric blend of ethereal synths, ambient textures, and delicate vocals—immediately brought to mind the moody elegance of Portishead.

Vök was formed in Reykjavík in 2013 by singer Margrét Rán Magnúsdóttir and saxophonist Andri Már Enoksson. They rose to prominence after winning Músíktilraunir, Iceland’s annual music competition. Since then, the band has evolved into a trio, now composed of Margrét Rán, Einar Stefánsson, and Bergur Dagbjartsson.

Waterfall,” a standout track from their 2015 EP Circles, features shimmering synth layers and Margrét Rán’s haunting vocal delivery. The lyrics touch on emotional fragility and the yearning for connection, while the song’s ambient-electronic arrangement highlights Vök’s distinctive sonic identity. 

The accompanying music video, directed by Skapti Magnús Birgisson and Baldvin Albertsson, was filmed in black and white and features dancer Þórey Birgisdóttir performing in a dimly lit room—visually reinforcing the song’s introspective tone and emotional depth.

Sources: 

Wikipedia

https://imvdb.com/n/vok

https://nialler9.com/vok-bring-the-icelandic-synth-cool-with-waterfall/

https://www.vice.com/en/article/premiere-vok-waterfall/

https://www.stereogum.com/1864365/vok-waiting-video-stereogum-premiere/news/

https://atwoodmagazine.com/vok-2017-interview-figure/

https://www.subvrtmag.com/spend-the-love-with-mystical-icelandic-electro-pop-vok/

https://indiepulsemusic.com/2019/02/10/icelandic-electro-dream-pop-band-vok

https://americansongwriter.com/meaning-behind-tlcs-waterfalls

Wednesday, May 21, 2025