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Friday, November 7, 2025

The Sexy Leopard and a $50 Tawny

I love Halloween. Every year, I go all out decorating the garage — lights, creepy soundtrack, and enough candy to bribe the entire neighborhood. I get so caught up making it perfect that I usually forget one thing: my own costume.

My wife, on the other hand, came prepared. A few days before Halloween, Amazon boxes started showing up. Inside? Her secret costume.

When she finally stepped into the garage, I did a double take. Tight leopard-print outfit, painted spots on her face, and four-inch heels — she was unrecognizable. Let’s just say the enhancements from her recent surgery filled that outfit perfectly.

“Are we going out?” she purred.

I blinked. “Uh… give me five minutes.”

I ran upstairs, rummaged through the costume bin, and found the easiest option: a masquerade mask. Not my best work, but at least I wasn’t standing next to her in jeans and a tee shirt.

We closed up the garage and headed out to dinner at Fleming’s. It had been a while since we’d had a proper date night. The funny thing was, every time I looked at her, I felt like I was talking to someone else.

“Babe, it feels like I’m dating another woman,” I confessed, staring at her painted face and boobs.

After enjoying their Miso-glazed Chilean sea bass, the bartender asked, “Would you like dessert?”

“Crème brûlée?” I offered.

“Tawny,” she said.

“Fifteen-year or forty-year?” the bartender asked.

“Forty,” she said, smiling at me. “Sorry, babe.”

That “sorry” added seventy-five bucks to the bill — and honestly, worth every penny, but don't tell her.

The night wasn’t over, however. “Let’s go somewhere fun,” she said. So off we went to a bar with an ’80s cover band. She danced, laughed, and turned heads while I tried not to trip over my own jaw.

Hours later, we finally got home. I was done; she wasn’t. She opened a bottle of wine, turned the music back on, and started dancing again.

At some point, I fell asleep on the couch. I vaguely remember loud music, a doorbell, and seeing a leopard grab an orange Whataburger bag from someone at the door. Then she covered me with a fur throw and everything went quiet.

The next morning told the whole story: wine glasses, a half bottle of wine, leopard ears and tail on the floor, and one very hungover wife.

The moral? Never underestimate a forty-year Tawny — or a woman in leopard print on Halloween.



Thursday, November 6, 2025

Elwood Edwards

Acting Appreciation

To a '90s kid, nothing quite sounded like possibility -- the crackle of AOL dial-up, the universe of static, those blinking screens. You knew something big was about to happen. And then, that voice: "You've got mail." For many of us, it was simple magic -- the gateway to what felt like endless information. That voice belonged to Elwood Hughes Edwards, Jr. 

Born November 6, 1949, in Glen Burnie, Maryland, Elwood grew up partly in North Carolina (in Beaufort, then New Bern) where he got his starts in radio very early -- high school radio in 1964. After high school, he drifted through TV work: announcing, doing graphics, cameras, even a little weather forecasting and commercials.

In 1989, the twist of fate: his wife, Karen, who worked for Quantum Computer Services (which ran the online service Q-Link), overheard their CEO, Steve Case, talking about adding voice alerts to their user interface. She suggested Elwood. He recorded a few phrases -- "Welcome," "Good-bye," "File's done," and the all important "You've got mail." -- on a cassette deck in his living room. The pay: about $200.

October 1989 rolls around, Q-Link becomes America Online (AOL), and those phrases go live. Suddenly, millions of users are hearing Elwood whenever they logged on, sent or received messages, or just signed out.

Over the years, his voice became an unexpected icon -- so recognizable that it was used in pop culture. Despite all that, there was a bittersweet side: Elwood didn't get residuals for the voice work -- those phrases were used millions of times a day, but he was paid once. Still, he seemed to carry it with humor and a sense of wonder: part of him always amazed that something so simple -- his voice saying 13 words recorded at home -- could touch so many.

Elwood Edwards passed away November 5, 2024, just one day shy of his 75th birthday.



Sources:

Wikipedia

https://www.washingtonpost.com/obituaries/2024/11/08/elwood-edwards-dead-youve-got-mail

https://www.culturehoney.com/life-stories-elwood-edwards-lifetime-work-television-special-past

https://mabumbe.com/people/elwood-edwards-age-net-worth-biography-career-highlights

https://www.fastcompany.com/35450/hes-voice-net-generation

https://www.latimes.com/entertainment-arts/story/2024-11-07/elwood-edwards-dead-voice-aol-youve-got-mail

https://www.vulture.com/article/elwood-edwards-dead-aol-youve-got-mail-voice.html

https://www.avclub.com/r-i-p-elwood-edwards-aols-youve-got-mail-voice

Tuesday, November 4, 2025

R.E.M. - Radio Song

Music Appreciation

Released on November 4, 1991, "Radio Song" served as the opening track and fourth single from R.E.M.'s seventh album, Out of Time. Lead singer Michael Stipe wrote the lyrics, expressing his frustration with the staleness of mainstream radio. 

Stipe invited KRS-One, leader of Boogie Down Productions, to contribute to the track, adding a hip-hop flair that contrasted with the song's critique of radio content.

The composition of "Radio Song" blends alternative rock with hip-hop elements, a testament to R.E.M.'s experimental approach during this period. The track features jangly guitars characteristic of Peter Buck, alongside funk-inspired basslines from Mike Mills. KRS-One's distinctive interjections and rap verses infuse the song with an unexpected dynamic, reflecting the band's willingness to push genre boundaries.

The accompanying music video, directed by Peter Care, showcases the band performing in a minimalist setting, interspersed with abstract imagery, and emphasizes the song's themes of media saturation and the search for authenticity. 

While not achieving significant commercial success, the video was appreciated by fans for its artistic approach and alignment with the band's critique of mainstream media. 



Sources:

Wikipedia

https://www.imdb.com/title/tt7789986/

https://www.murmurs.com/t/rem-music-videos-that-make-you-say-why-tf-is-this-a-video/1294 

Monday, November 3, 2025

Walker Evans

Photography Appreciation

Walker Evans, born on November 3, 1903, in St. Louis, Missouri, was an influential American photographer and photojournalist. Raised in a middle-class family, Evans developed an early interest in literature, initially aspiring to be a writer. He studied at Williams College but left before completing his degree, eventually moving to New York City, where he became immersed in the burgeoning art and literary scene. His exposure to modernist art and photography during this time deeply influenced his future career path. After briefly studying in Paris, Evans returned to the United States with a growing passion for photography, setting the stage for his remarkable contributions to the medium.

Evans' work is best known for its stark, unembellished realism. He often captured the everyday life of Americans during the Great Depression, using a documentary style that emphasized clarity and authenticity. His images were typically straightforward, avoiding overly artistic flourishes in favor of raw, honest representation. Evans preferred shooting with large-format cameras, which allowed him to capture sharp detail in his photographs. His work for the Farm Security Administration (FSA) in the 1930s, documenting the impact of the Great Depression on rural Americans, remains his most celebrated contribution to photojournalism. His style was defined by its objectivity and his ability to find beauty and meaning in the ordinary, often focusing on architecture, signage, and people.

One of Evans' most iconic photographs is Allie Mae Burroughs, taken in 1936. The portrait, part of his FSA work, depicts the wife of a sharecropper in Hale County, Alabama, during the height of the Depression. Burroughs' face, worn by hardship and uncertainty, encapsulates the struggle of many Americans during this era. The image’s stark realism, devoid of any attempt to romanticize or manipulate the subject, became emblematic of Evans’ style. Through her gaze, Evans conveyed the broader emotional weight of the economic devastation sweeping the country, making this photograph a timeless symbol of human resilience.

Another notable photograph by Evans is Negro Barber Shop Interior, Atlanta, captured in 1936. This image showcases Evans’ interest in everyday spaces and objects. The barber shop, though modest, is filled with rich details like mirrors, chairs, and everyday tools, offering a glimpse into the ordinary lives of Black Americans. The photograph’s composition is both intimate and informative, allowing the viewer to observe a scene that feels untouched by time. Evans’ ability to document the essence of Black American life through such simple, seemingly unremarkable settings cemented his place as a master of documentary photography.

Evans’ body of work remains a significant influence in photography, especially for his commitment to portraying life as it is, without embellishment or distraction. His ability to make the ordinary extraordinary continues to inspire generations of photographers and artists.


Allie Mae Burroughs (1936)

Negro Barber Shop Interior, Atlanta (1936)

Workmen Sitting on Sidewalk (1929)

Subway Passengers, New York City (1938)


Sources:

Wikipedia

https://www.moma.org/artists/1777

https://www.metmuseum.org/toah/hd/evan/hd_evan.htm

https://www.argus-fotokunst.de/en/exhibition/evans.html

Sunday, November 2, 2025

Fullmetal Ifrit

Model Appreciation

I definitely have a type, but every now and then, a redhead grabs my attention—especially if she’s got curly hair and a bit of a tomboy vibe. No surprise, then, that Ifrit does it for me.

Known online as Fullmetal Ifrit, Bikini Ifrit, or Ifrit Aeon, she’s an Irish internet personality and model born on November 2, 1993. She launched her modeling career in 2015 after finishing her studies and quickly gained international attention, thanks to a bold social media presence and a growing list of accolades.

At 5'6" and about 132 pounds, she’s striking—with that signature red hair and piercing grey eyes. But it’s her toned legs and confident curves that really stand out. She showcases her best features -- her ass and legs -- unapologetically across her platforms, and every time I come across her content, I can’t help but stop and appreciate the view. Plus, she remind me of that girl I dated in my early 40s.






Sources:

https://www.fullmetalifrit.com/

https://x.com/fullmetalifrit

https://www.youtube.com/c/BikiniIfrittv

https://www.instagram.com/fullmetalifrit

https://linktr.ee/bikini.ifrit